{"id":1276,"date":"2006-11-22T11:27:19","date_gmt":"2006-11-22T09:27:19","guid":{"rendered":"https:\/\/rojalab.lv\/ka-un-kapec-mes-rakjam-roja\/"},"modified":"2006-11-22T11:27:19","modified_gmt":"2006-11-22T09:27:19","slug":"ka-un-kapec-mes-rakjam-roja","status":"publish","type":"post","link":"https:\/\/rojalab.lv\/lv\/ka-un-kapec-mes-rakjam-roja\/","title":{"rendered":"K\u0101 un k\u0101p\u0113c m\u0113s rakjam Roja"},"content":{"rendered":"

M\u0101ris Grosbahs<\/strong><\/p>\n

Starptautisk\u0101 m\u0101kslas laboratorija – m\u0101kslinieku rezidence<\/p>\n

 <\/p>\n

2007. gada ziem\u0101 \u010cik\u0101g\u0101 notika amerik\u0101\u0146u m\u0101kslinieces Ketr\u012bnas Forsteres izst\u0101de ” Rojas cilv\u0113ki<\/em>“. El\u012bnas C\u0113rpas iestud\u0113jums ” Maigums”<\/em> p\u0113c Hordes Luisa Borhes st\u0101sta ” La Intrusa”<\/em>, kas aizs\u0101kts Roj\u0101 un iestud\u0113ts Jaunaj\u0101 R\u012bgas te\u0101tr\u012b, tika nomin\u0113ts k\u0101 sezonas inovat\u012bv\u0101kais iestud\u0113jums. Lucern\u0101 \u0161veicie\u0161u m\u0101kslinieks R\u016bdi \u0160orno (Ruedi Schorno) izst\u0101d\u012bja panor\u0101mas fotogr\u0101fijas, kas uz\u0146emtas Roj\u0101. Francij\u0101 H\u00e9l\u00e8ne Gerster nolas\u012bja savu eseju par Roju Lionas un Marse\u013cas te\u0101tros. Un tas ir tikai s\u0101kums. Vi\u0146i visi piedal\u012bj\u0101s ROJARAKU m\u0101kslas laboratorij\u0101. Tur pavad\u012btaj\u0101 laik\u0101 pierakst\u012bt\u0101s izj\u016btas joproj\u0101m tiek izst\u0101d\u012btas.<\/p>\n

1997. gad\u0101, v\u0113l stud\u0113jot Latvijas M\u0101kslas akad\u0113mij\u0101 un izj\u016btot akad\u0113misk\u0101s sist\u0113mas tr\u016bkumus un nepiecie\u0161am\u012bbu mekl\u0113t un atrast jaunas m\u0101kslas formas un pa\u0161izpausmes iesp\u0113jas, studenti Krist\u012bne Lazd\u0101ne un M\u0101ris Grosbahs kop\u0101 ar pasniedz\u0113jiem Daini Lesi\u0146u un Ain\u0101ru Rimic\u0101nu Roj\u0101 organiz\u0113ja keramikas simpoziju, ko nosauca par ROJARAKU. Roj\u0101 ir neliela zvejnieku pils\u0113ti\u0146a j\u016bras krast\u0101, un raku<\/em> ir vizu\u0101li iespaid\u012bga, bet tehniski sal\u012bdzino\u0161i vienk\u0101r\u0161a keramikas apdedzin\u0101\u0161anas tehnika. Pas\u0101kums bija iesp\u0113jams, pateicoties organizatoru iniciat\u012bvai un valsts un viet\u0113j\u0101s pa\u0161vald\u012bbas, k\u0101 ar\u012b uz\u0146\u0113m\u0113ju un iedz\u012bvot\u0101ju atbalstam.<\/p>\n

Lai gan Latvija bija atguvusi neatkar\u012bbu, inform\u0101cijas sa\u0146em\u0161anas iesp\u0113jas par pasaul\u0113 notieko\u0161o un sazi\u0146as iesp\u0113jas joproj\u0101m bija visai ierobe\u017eotas. T\u0101p\u0113c ROJARAKU vasaras br\u012bvlaik\u0101 studentiem un akt\u012bvi rado\u0161iem m\u0101ksliniekiem no da\u017e\u0101d\u0101m valst\u012bm pied\u0101v\u0101ja vidi eksperiment\u0101lu ideju apmai\u0146ai. S\u0101kotn\u0113ji viss koncentr\u0113j\u0101s uz m\u0101la un akmens apstr\u0101di, apdedzin\u0101\u0161anu atkl\u0101tas uguns liesm\u0101s. V\u0113l\u0101k t\u0101s papildin\u0101ja instal\u0101cijas, vides m\u0101ksla, fotogr\u0101fija, video, soci\u0101l\u0101s aktivit\u0101tes, izr\u0101des, performances un citi mediju izteiksmes veidi.<\/p>\n

2002. gad\u0101 tika dibin\u0101ta starpdisciplin\u0101r\u0101 m\u0101kslas grupa Serde<\/em>, kuras dal\u012bbnieki inici\u0113 un \u012bsteno m\u0101kslas projektus. ROJARAKU ir viens no Serde<\/em> organiz\u0113tajiem autonomajiem pas\u0101kumiem.<\/p>\n

\u0160aj\u0101 gad\u0101 ROJARAKU main\u012bja iepriek\u0161\u0113jo gadu trad\u012bcijas, p\u0101rce\u013cot uzsvaru no objektu rad\u012b\u0161anas un izvieto\u0161anas telp\u0101 uz pa\u0161as telpas rad\u012b\u0161anu. Daudzi augstas kvalit\u0101tes darbi atrad\u0101s Rojas apk\u0101rtn\u0113. Es min\u0113\u0161u tikai da\u017eus no tiem, kas t\u0101du vai cit\u0101du iemeslu d\u0113\u013c vairs nav redzami Roj\u0101. \u012asu laiku Rojas ostas molu apdz\u012bvoja Ivara Drulles un Rasas Jansones darbi. Taj\u0101 pa\u0161\u0101 viet\u0101 Marta \u0122ibiete uzst\u0101d\u012bja instal\u0101ciju no spogu\u013cu laukumiem. Par \u0161o darbu rakst\u012bja amerik\u0101\u0146u \u017eurn\u0101ls New Glass<\/em> Review <\/em>sav\u0101 25 gadu jubilejas numur\u0101, kur\u0101 bija apkopoti pasaules izcil\u0101kie stikla m\u0101kslas darbi p\u0113d\u0113jo divdesmit piecu gadu laik\u0101. No t\u016bksto\u0161iem iesniegto darbu att\u0113lu profesion\u0101la \u017e\u016brija atlas\u012bja lab\u0101kos, kas tika iek\u013cauti katalog\u0101. \u017d\u016brijas locekle un Korningas Stikla muzeja \u0145ujork\u0101 modern\u0101 stikla kuratore T\u012bna Oldknova (Tina Oldknow) par \u0161o darbu rakst\u012bja: “Martas \u0122ibietes un Lu\u012bzes Lippertes darbi mani aizr\u0101va instal\u0101ciju kategorij\u0101. \u0122ibietes XXX<\/em> ir p\u0101rliecino\u0161s ar savu izpratni par materi\u0101lu <\/em>. Spogulis ir br\u012bni\u0161\u0137\u012bgs medijs, ja tas tiek izmantots ne tikai atspogu\u013co\u0161anai, un \u0161eit tas tiek izmantots ainavas pastiprin\u0101\u0161anai. \u0122ibietes veidot\u0101 moza\u012bka rada bag\u0101t\u012bgu virsmas fakt\u016bru, kas atdarina raupjo betonu un mirdzo\u0161\u0101s \u016bdens gaismas malas. Vi\u0146a izmanto spogu\u013ca sp\u0113ju rad\u012bt telpu tur, kur t\u0101s nav, un \u016bdens atspulgs burtiski liek pazust mas\u012bvajai piest\u0101tnei. Dabas, gaismas, atspulgu un il\u016bziju t\u0113mas, kas bie\u017ei tiek izmantotas glezniec\u012bb\u0101 un fotogr\u0101fij\u0101, var atrast ar\u012b stikla m\u0101ksl\u0101, piem\u0113ram, Lerija Bella un Mariana Karla darbos. Tom\u0113r \u0122ibietes pieeja un metode ir unik\u0101la. Tas ir \u0123eni\u0101li un vienlaikus tik saprotami vienk\u0101r\u0161i.”<\/p>\n

Iepriek\u0161\u0113jo gadu eksperimenti dz\u012bv\u0101s uguns keramikas kr\u0101sn\u012bs tiek turpin\u0101ti ikgad\u0113jos uguns \u0161ovos projekta p\u0113d\u0113j\u0101 vakar\u0101. U\u0123is Pucens p\u0101r j\u016bru uzkarin\u0101ja liela izm\u0113ra uguns maisus. At\u0161\u0137ir\u012bb\u0101 no ierastajiem un jau ierastajiem ugu\u0146o\u0161anas \u0161oviem \u0161is \u0161ovs \u013cauj veiksm\u012bgi izpaust autora rado\u0161umu eso\u0161aj\u0101 vid\u0113 bez ska\u013cu spr\u0101dzienu rad\u012bt\u0101 trok\u0161\u0146a. Kop\u0101 \u0146emot, liesmojo\u0161ie uguns maisi, kas grie\u017eas v\u0113j\u0101 un izklied\u0113 dzirksteles, to atspulgi \u016bden\u012b un autores nemit\u012bg\u0101s korekcijas rada iespaid\u012bgu, vibr\u0113jo\u0161u saj\u016btu pilnu rezult\u0101tu.<\/p>\n

Gadu v\u0113l\u0101k Ieva Rupenheite rakst\u012bja laikrakst\u0101 Diena<\/em>: “Raivo Armuliks bija izv\u0113l\u0113jies savu devumu Rojas videi no readymade att\u0113lu pasaules, demonstr\u0113jot neatkar\u012bbu no vilino\u0161\u0101s formulas J\u016bra+Saule+V\u0113j\u0161. Vi\u0146a darbs ” Pr\u0101ta skalo\u0161ana<\/em> veidoja nedabiska izm\u0113ra, bet re\u0101listiskas smadzenes, ko skalo vi\u013c\u0146i. Smiekl\u012bgi, j\u0101, bet kas no t\u0101? Lai gan t\u0101 bija \u0101rpus lok\u0101li noteiktajiem nosac\u012bjumiem un piln\u012bgi apolitiska, “Smadze\u0146u skalo\u0161ana” tom\u0113r lieliski ieder\u0113j\u0101s pla\u0161\u0101ka lauka sp\u0113l\u0113; t\u0101 ne tikai pild\u012bja sarkastiska joka funkcijas, bet ar\u012b rosin\u0101ja nov\u0113rot\u0101ju k\u013c\u016bt aizdom\u012bgam, ja ne jau tur\u0113t aizdom\u0101s konkr\u0113to \u0161\u012bs smadze\u0146u skalo\u0161anas m\u0113r\u0137i.” (“Skaist\u0101ks par ku\u0123i” [More beautiful than a ship], Diena, 30.08.2004, 14. lpp.) Armulika darbam nebija lemts uz ilgu laiku nomazg\u0101ties pie vi\u013c\u0146lau\u017ea. K\u0101ds viet\u0113jais m\u0101kslas entuziasts ar lauzni bija brut\u0101li izc\u0113lis “interesanto akmeni” no j\u016bras, un Roj\u0101 bija pirmais “smadze\u0146u zaglis”.<\/p>\n

Padomju laik\u0101 Roj\u0101, kas atrad\u0101s “aizliegtaj\u0101 zon\u0101”, domin\u0113ja zvejniec\u012bbas nozare. M\u016bsdien\u0101s, kad Baltijas j\u016bras zvejas kr\u0101jumi ir izs\u012bku\u0161i, mazpils\u0113ta arvien vair\u0101k piev\u0113r\u0161as t\u016brisma att\u012bst\u012bbai. Tas ir viens no iemesliem, k\u0101p\u0113c 2004. gad\u0101 lietuvie\u0161u m\u0101kslinieks Hilberts Jetkevi\u010dus (Hilbertas Jetkevi\u010dius) \u012bstenoja projektu ” Yohaidi”<\/em>, kas bija atsauce uz eso\u0161o situ\u0101ciju, veidojot “atmi\u0146u pieminek\u013cus”, t\u0101d\u0113j\u0101di apsteidzot visaptvero\u0161\u0101 t\u016brisma att\u012bst\u012bbu. Slenga v\u0101rds “Yohaidi”, kas ir izplat\u012bts vis\u0101s trij\u0101s Baltijas valst\u012bs un tiek lietots k\u0101 br\u012bnuma vai p\u0101rsteiguma izteiksme, l\u012bdz\u012bgi komiksu varonim k\u013c\u016bst par akmen\u012b iecirst\u0101 kli\u0161ejisk\u0101 nosaukuma “jap\u0101\u0146u t\u016brists” nes\u0113ju. R\u012bc\u012bbas laik\u0101 Yohaidi<\/em> tika izvietots da\u017e\u0101d\u0101s Rojas viet\u0101s – pils\u0113tas centr\u0101, pie kases autom\u0101ta, ost\u0101, kaps\u0113t\u0101, \u0161\u0137\u016bn\u012b un pie lepn\u0101 uzraksta “Roja” zvejniekiem velt\u012bt\u0101 pieminek\u013ca pak\u0101j\u0113 pie kult\u016bras nama, uz kura iepriek\u0161 bija uzraksts “Par komunismu!”. Yohaidi<\/em> dev\u0101s realit\u0101t\u0113, radot savu, netrauc\u0113tu st\u0101stu par eso\u0161o situ\u0101ciju Roj\u0101, nebaidoties ieskat\u012bties ar\u012b sav\u0101 v\u0113l nesakoptaj\u0101 pagalm\u0101 un fiks\u0113t to ar keramikas kameru, kas novietota uz keramikas kr\u016bt\u012bm.<\/p>\n

Diagnoz\u0113jot viet\u0113j\u0101s vides probl\u0113mas, n\u0101kamaj\u0101 gad\u0101 latvie\u0161u scenogr\u0101fe un mediju m\u0101ksliniece Izolde C\u0113sniece demonstr\u0113ja izveic\u012bgu dialogu ar pils\u0113tas telpu un t\u0101s iedz\u012bvot\u0101jiem. Savu instal\u0101ciju ” Nike of Roja<\/em>“, kas atg\u0101din\u0101ja vizu\u0101li izteiksm\u012bgu bied\u0113kli, vi\u0146a novietoja uz nu jau sagruvu\u0161a biju\u0161\u0101 padomju laika univers\u0101lveikala jumta. Publiskaj\u0101 telp\u0101 uzliesmoja kaisl\u012bbas par \u0113kas n\u0101kotni. Daudzus gadus \u0161is k\u0101dreiz lepnais veikals st\u0101v\u0113ja pa\u0161\u0101 pils\u0113tas centr\u0101 k\u0101 noplucis d\u012bvain\u012bba bez logiem, kam\u0113r t\u0101 \u012bpa\u0161nieki main\u012bj\u0101s, gaidot, kad cenas pieaugs. C\u0113snieces Nik\u0113<\/em>, k\u0101 sengrie\u0137u mitolo\u0123ij\u0101 uzvaras dieviete un Kratas, Bijas un Zelusa m\u0101sa, pan\u0101ca to, ko nesp\u0113ja pan\u0101kt pa\u0161vald\u012bba, kas neveiksm\u012bgi c\u012bn\u012bj\u0101s ar \u0113kas \u012bpa\u0161niekiem par t\u0101s atjauno\u0161anu. M\u0101jaslap\u0101 www.performance.lv m\u0101kslinieks raksta: “Ja es visu izvietoju pareizaj\u0101s viet\u0101s, tad vairs nav nepiecie\u0161ams neko pievienot, jo viss notiek t\u0101, k\u0101 es to v\u0113los, pats no sevis.” Iesp\u0113jams, b\u016btu p\u0101rsteidz\u012bgi teikt, ka tas bija p\u0113d\u0113jais piliens, kas lika \u0113kai main\u012bties, ta\u010du tie\u0161i t\u0101 tas ar\u012b notika.<\/p>\n

\u0160ogad laboratorij\u0101 ien\u0101ca te\u0101tra m\u0101ksla. El\u012bnas C\u0113rpas vad\u012bb\u0101 s\u0101k\u0101s darbs pie gr\u0101matas Maigums<\/em>, kura pamat\u0101 ir viens no neparast\u0101kajiem Jorhes Luisa Borgesa st\u0101stiem. La Intrusa<\/em>. \u010cetri profesion\u0101li aktieri no R\u012bgas Krievu dr\u0101mas te\u0101tra piedal\u012bj\u0101s sagatavo\u0161an\u0101s darbos un laboratorijas p\u0113d\u0113j\u0101 vakar\u0101 par\u0101d\u012bja rezult\u0101tus. V\u0113l\u0101k izr\u0101de izpeln\u012bj\u0101s kriti\u0137u atzin\u012bbu, kad tika iestud\u0113ta Jaunaj\u0101 R\u012bgas te\u0101tr\u012b ar citu aktieru sast\u0101vu. “Maigums<\/em>” ir viens no p\u0113d\u0113j\u0101 laika priec\u012bg\u0101kajiem p\u0101rsteigumiem Latvijas te\u0101tr\u012b. Nebija vajadz\u012bbas k\u0101pt pa abstrakt\u0101m intelektu\u0101l\u0101m sastatn\u0113m. Bija tikai viens galvenais uzdevums – aprakst\u012bt, k\u0101 un kas notiek, lai notvertu izr\u0101des atmosf\u0113ru. Materi\u0101ls. Jutekliskums. \u012asts,” Kult\u016bras Dien\u0101<\/em> (31.03.2006.) raksta te\u0101tra kriti\u0137e Und\u012bne Adamaite.<\/p>\n

Pirmaj\u0101 ned\u0113\u013c\u0101 l\u012bdz\u0101s objektiem, performanc\u0113m un darbiem citos medijos ROJARAKU m\u0101kslinieku grupa sadarb\u012bb\u0101 ar viet\u0113jo tipogr\u0101fiju RAUDA izveidoja bukletu, kas atspogu\u013co vi\u0146u pieredzi Roj\u0101. RAUDA specializ\u0113jas zivju produktu iepakojuma eti\u0137e\u0161u druk\u0101\u0161an\u0101, t\u0101p\u0113c, nedaudz mainot s\u0101kotn\u0113jo RAUDA dizainu \u0161protu konservu k\u0101rb\u0101m, tika izveidots jauns iepakojums bukletam. Ar RAUDA pal\u012bdz\u012bbu tika izgatavoti ar\u012b \u0161\u012bs gr\u0101matas sk\u0101rda v\u0101ki.<\/p>\n

Katr\u012bna Forstera (Catherine Forster, ASV), atkl\u0101jusi, ka rojas iedz\u012bvot\u0101ji ir attur\u012bgi un piesardz\u012bgi, nol\u0113ma neb\u016bt uzb\u0101z\u012bga un rad\u012bja videodarbu ” K\u0101j\u0101m<\/em>“, kur\u0101 fiks\u0113ti vi\u0146as m\u0113\u0123in\u0101jumi sazin\u0101ties ar viet\u0113jiem iedz\u012bvot\u0101jiem, bet kamera v\u0113rsta uz leju. Forstera film\u0113 vienu dienu no r\u012btausmas l\u012bdz kr\u0113slai, film\u0113jot savas k\u0101jas, k\u0101 ar\u012b gar\u0101mg\u0101j\u0113jus un sarunu biedrus viena metra r\u0101dius\u0101.<\/p>\n

L\u012bdz 2006. gadam, kad laboratorija svin\u0113ja desmit gadu jubileju, jau bija iev\u0113rojama konkurence par desmit rezident\u016bras viet\u0101m. Tas liecina par laboratorijas darb\u012bbas kvalit\u0101tes pieaugumu. Un ar\u012b \u0161odien, 2007. gada pavasar\u012b, kad m\u0113s zin\u0101m, ka vasar\u0101 ROJARAKU vairs neb\u016bs un turpm\u0101k tas var\u0113tu notikt tikai reizi divos gados, ir liela interese no potenci\u0101lajiem dal\u012bbniekiem no \u0101rzem\u0113m.<\/p>\n

Rojas prie\u017eu birz\u012b net\u0101lu no daudzst\u0101vu dz\u012bvojamo m\u0101ju kvart\u0101la uz p\u0101ris m\u0113ne\u0161iem bija izvietots v\u0101cu m\u0101kslinieces Ursulas A\u0161ernkampas darbs ” Koka aizkari jeb horizont\u0101la sap\u0146a vertik\u0101l\u0101 izpausme<\/em>“. Palielinoties priv\u0101t\u012bpa\u0161uma v\u0113rt\u012bbai, publisk\u0101 telpa samazin\u0101s, un priv\u0101t\u0101s intereses bie\u017ei vien ir svar\u012bg\u0101kas par sabiedr\u012bbas interes\u0113m. A\u0161ernakampa darbu var uztvert k\u0101 br\u012bdin\u0101juma z\u012bmi, aicin\u0101jumu apst\u0101ties un nov\u0113rt\u0113t to, kas ir, vai ar\u012b k\u0101 pozit\u012bvu ironisku koment\u0101ru par daudzajiem jaunajiem \u017eogiem.<\/p>\n

Viens no, iesp\u0113jams, maz\u0101k paman\u0101majiem, ta\u010du atmi\u0146\u0101 uz ilgu laiku paliku\u0161ajiem darbiem bija Braiena Gilisa (Brian Gillis, ASV) verb\u0101lie v\u0113st\u012bjumi uz met\u0101la pl\u0101ksn\u0113m. Lai gan t\u0101s bija neatkar\u012bgas un izkais\u012btas pa visu Roju, t\u0101s nevainojami atbilda laboratorijas m\u0113r\u0137im – veicin\u0101t pils\u0113tas iedz\u012bvot\u0101ju un viesu mijiedarb\u012bbu ar apk\u0101rtni un taj\u0101 “pasl\u0113ptajiem” darbiem. Gillis saka: “Mani interes\u0113 iejaukties vid\u0113 ar st\u0101stu, kanoniz\u0113t ikdienas lietas un notikumus, kas v\u0113l\u0101k maina cilv\u0113ku uztveri. Mani darbi \u0161eit ir k\u0101 katalizatori, lai rad\u012btu cilv\u0113kos dzi\u013c\u0101ku izpratni par viet\u0101m, kuras vi\u0146i regul\u0101ri izmanto.” Piem\u0113ram, vien\u0101 no tekstiem, kas bija pieskr\u016bv\u0113ts pie soli\u0146a autoost\u0101, bija rakst\u012bts: “Esmu aizmirsis, cik br\u012bni\u0161\u0137\u012bgi liet\u016b smar\u017eo koki,” vi\u0146\u0161 teica sev, izk\u0101pjot no autobusa. “Es nevaru sagaid\u012bt, kad iepaz\u012b\u0161u Marijas b\u0113rnus.” D\u017eilisa teikumi, izrauti no k\u0101da pla\u0161\u0101ka konteksta, ierauj j\u016bs str\u0101v\u0101, tie saasina saj\u016btas un \u013cauj piedz\u012bvot un papla\u0161in\u0101t iesp\u0113jam\u0101 robe\u017eas.<\/p>\n

 <\/p>\n

Raksts public\u0113ts m\u0101kslas gr\u0101mat\u0101 “ROJA.ROJARAKU”, ROJARAKU un TISSU Publishing, 2007, ISBN 978.9984.39.251.6.<\/p>\n","protected":false},"excerpt":{"rendered":"

M\u0101ris Grosbahs Starptautisk\u0101 m\u0101kslas laboratorija – m\u0101kslinieku rezidence   2007. gada ziem\u0101 \u010cik\u0101g\u0101 notika amerik\u0101\u0146u m\u0101kslinieces Ketr\u012bnas Forsteres izst\u0101de ” Rojas cilv\u0113ki“. El\u012bnas C\u0113rpas iestud\u0113jums ” Maigums” p\u0113c Hordes Luisa Borhes st\u0101sta ” La Intrusa”, kas aizs\u0101kts Roj\u0101 un iestud\u0113ts Jaunaj\u0101 R\u012bgas te\u0101tr\u012b, tika nomin\u0113ts k\u0101 sezonas inovat\u012bv\u0101kais iestud\u0113jums. Lucern\u0101 \u0161veicie\u0161u m\u0101kslinieks R\u016bdi \u0160orno (Ruedi […]<\/p>\n","protected":false},"author":1,"featured_media":934,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[],"class_list":["post-1276","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vesture"],"yoast_head":"\nK\u0101 un k\u0101p\u0113c m\u0113s rakjam Roja - ROJA ART LAB<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/rojalab.lv\/lv\/ka-un-kapec-mes-rakjam-roja\/\" \/>\n<meta property=\"og:locale\" content=\"lv_LV\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"K\u0101 un k\u0101p\u0113c m\u0113s rakjam Roja - ROJA ART LAB\" \/>\n<meta property=\"og:description\" content=\"M\u0101ris Grosbahs Starptautisk\u0101 m\u0101kslas laboratorija – m\u0101kslinieku rezidence   2007. gada ziem\u0101 \u010cik\u0101g\u0101 notika amerik\u0101\u0146u m\u0101kslinieces Ketr\u012bnas Forsteres izst\u0101de ” Rojas cilv\u0113ki“. El\u012bnas C\u0113rpas iestud\u0113jums ” Maigums” p\u0113c Hordes Luisa Borhes st\u0101sta ” La Intrusa”, kas aizs\u0101kts Roj\u0101 un iestud\u0113ts Jaunaj\u0101 R\u012bgas te\u0101tr\u012b, tika nomin\u0113ts k\u0101 sezonas inovat\u012bv\u0101kais iestud\u0113jums. 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