{"id":1280,"date":"2016-11-18T13:40:17","date_gmt":"2016-11-18T11:40:17","guid":{"rendered":"https:\/\/rojalab.lv\/maris-un-jautrie-viri\/"},"modified":"2016-11-18T13:40:17","modified_gmt":"2016-11-18T11:40:17","slug":"maris-un-jautrie-viri","status":"publish","type":"post","link":"https:\/\/rojalab.lv\/lv\/maris-un-jautrie-viri\/","title":{"rendered":"M\u0101ris un jautrie v\u012bri*."},"content":{"rendered":"

Brian Benfer<\/strong><\/p>\n

 <\/p>\n

\u0160is bija20. gads<\/sup>, kop\u0161 Roj\u0101, Latvij\u0101, M\u0101ris Grosbahs organiz\u0113 un vada pas\u0101kumu s\u0113riju. Lai gan pas\u0101kuma form\u0101ts un nosaukums gadu gait\u0101 ir nedaudz main\u012bjies, b\u016bt\u012bb\u0101 vi\u0146a ap\u0146em\u0161an\u0101s atbalst\u012bt pla\u0161\u0101ku m\u0101kslas kopienu un viet\u0113jo ciematu, kur\u0101 vi\u0146\u0161 ir uzaudzis, ir palikusi nemain\u012bga. Vi\u0146\u0161 to izveidoja galvenok\u0101rt k\u0101 l\u012bdzekli, ar kura pal\u012bdz\u012bbu vi\u0146\u0161 un vi\u0146a studiju biedri var\u0113ja turpin\u0101t str\u0101d\u0101t vasar\u0101s, un s\u0101kum\u0101 vi\u0146am bija tikai neliela kr\u0101sns un cilv\u0113ku grupa, kas bija ieinteres\u0113ti kop\u0101 rad\u012bt. S\u0101kotn\u0113jais nosaukums ROJARAKU<\/em>, \u0161is keramikas notikums nodro\u0161in\u0101ja fizisku telpu darbam un jauno un topo\u0161o m\u0101kslinieku kopienu, lai apmain\u012btos ar tehnik\u0101m, procesiem un inform\u0101ciju, kas saist\u012bta ar keramiku, – paties\u012bb\u0101 tas bija tik keramikas pas\u0101kums, ka t\u0101 laik\u0101 notika svin\u012bga maza keramikas kr\u016bzes pacel\u0161ana un nolai\u0161ana pie karoga masta, kas atrad\u0101s \u012bpa\u0161uma centr\u0101.<\/p>\n

\"\"<\/p>\n

K\u0101 visas lietas laika gait\u0101 att\u012bst\u0101s un main\u0101s, t\u0101 ar\u012b \u0161is pas\u0101kums ir main\u012bjies. Tas, kas s\u0101k\u0101s k\u0101 keramikas pulc\u0113\u0161an\u0101s, pak\u0101peniski ir k\u013cuvis par pla\u0161\u0101ku ideju un koncepciju apsprie\u0161anas forumu. Ar laikmet\u012bgo m\u0101kslu ir k\u013cuvu\u0161as vair\u0101k saist\u012btas probl\u0113mas nek\u0101 tehnika, dialogs par konceptu\u0101lo meistar\u012bbu un vidi, kas ir atrauta no vienas discipl\u012bnas vai materi\u0101la specifikas. Viena lieta, kas ir<\/em> palikusi nemain\u012bga, ir M\u0101ra v\u0113lme ienest laikmet\u012bgo m\u0101kslu un starptautiskus m\u0101ksliniekus maz\u0101 zvejnieku ciemat\u0101 Latvijas laukos.<\/p>\n

\u0160ogad bija pulc\u0113ju\u0161ies talant\u012bgi un iedvesmojo\u0161i cilv\u0113ki no visas pasaules. Visi ar at\u0161\u0137ir\u012bgu materi\u0101lu est\u0113tisko izj\u016btu un konceptu\u0101liem priek\u0161statiem, visi dal\u0101s ar saviem darbiem un idej\u0101m, san\u0101kot kop\u0101, lai rad\u012btu darbus un eksperiment\u0113tu<\/em>. Es lietoju \u0161o eti\u0137eti, jo zinu, ka M\u0101rim t\u0101 ir svar\u012bga, un m\u016bsu sarunas par eti\u0137et\u0113m aptver virkni notikumu, cilv\u0113ku un darbu laikmet\u012bg\u0101s m\u0101kslas jom\u0101. Vi\u0146apr\u0101t, \u0161is pas\u0101kums ir vieta, kur cilv\u0113ki tiek iedro\u0161in\u0101ti eksperiment\u0113t, un v\u0101rds “neveiksme” nepast\u0101v. Vi\u0146a pas\u0101kums, kas tagad saucas ROJA ART LAB<\/em>, ir dom\u0101ts tie\u0161i k\u0101 vieta, kur cilv\u0113ki n\u0101k izm\u0113\u0123in\u0101t jaunas lietas atbalsto\u0161\u0101 un no spriedumiem br\u012bv\u0101 vid\u0113. Tas k\u013c\u016bst arvien svar\u012bg\u0101ks, kad m\u0113s m\u0101kslinieciski nobriestam, jo br\u012bv\u012bba, kas mums k\u0101dreiz bija k\u0101 topo\u0161ajiem m\u0101ksliniekiem un studentiem, k\u013c\u016bst par sava veida ietvaru, neatkar\u012bgi no t\u0101, vai m\u0113s to apzin\u0101mies vai n\u0113. Neatkar\u012bgi no t\u0101, vai tas ir est\u0113tiski mont\u0113ts, materi\u0101li orient\u0113ts vai konceptu\u0101li iet\u0113rpts, veids, k\u0101 m\u0113s redzam un interpret\u0113jam visu inform\u0101ciju ar m\u016bsu psihes pal\u012bdz\u012bbu, rada virkni veidu, k\u0101 m\u0113s redzam pasauli un nododam to, ko m\u0113s p\u0113t\u0101m. Iesp\u0113ja iziet \u0101rpus komforta zonas un iedro\u0161in\u0101jums ciest neveiksmi ir br\u012bni\u0161\u0137\u012bga lieta, un tas, ka piedal\u0101s gan jau atz\u012bti, gan topo\u0161ie m\u0101kslinieki, veicina \u0161\u012bs laboratorijas visp\u0101r\u0113j\u0101s filozofijas b\u016bt\u012bbu.<\/p>\n

\u0160ogad tapu\u0161ie darbi aptv\u0113ra pla\u0161u koncepciju un materi\u0101lu jut\u012bgumu, un bija darbi, kas sv\u0101rst\u012bj\u0101s no tradicion\u0101liem objektiem un materi\u0101liem\/procesiem l\u012bdz jauno mediju un m\u016bsdienu tehnolo\u0123iju izmanto\u0161anai. D\u017eeimijs Allens p\u0113t\u012bja da\u017e\u0101dus re\u0123iona tor\u0146us, nor\u0101dot uz izseko\u0161anas, kart\u0113\u0161anas un sakaru aspektiem, k\u0101 ar\u012b v\u0113sturiski apl\u016bkojot j\u016brniec\u012bbas dz\u012bves navig\u0101cijas aspektus. Vi\u0146a tor\u0146a atveidojums (10:1 m\u0113rog\u0101), kas sp\u0113j un paties\u012bb\u0101 ir paredz\u0113ts ce\u013co\u0161anai un p\u0101rvieto\u0161anai pa ciematu, vi\u0146am b\u016bs tikpat patva\u013c\u012bgi izvietots k\u0101 pa\u0161i tor\u0146i, jo cilv\u0113ki tiek aicin\u0101ti nejau\u0161i p\u0101rvietot objektu. Vasilija Ma\u010daradzes darbs bija velt\u012bts infrasarkan\u0101s gaismas avotam, ko vi\u0146\u0161 novietoja uz v\u0113sturiskas tot\u0113miskas arhitekt\u016bras strukt\u016bras net\u0101lu no j\u016bras, kas bija saglab\u0101jusies no v\u0101cu okup\u0101cijas laikiem. T\u0101 past\u0101v k\u0101 pseidodienas pir\u0101tu tehnika, lai maldin\u0101tu ku\u0123us, kas mekl\u0113 savas koordin\u0101tas, un, lai gan \u0161\u0101da veida gaisma ir ac\u012bmredzama tradicion\u0101li izmantot\u0101 vari\u0101cija, t\u0101s nol\u016bks bija \u0161\u012bs navig\u0101cijas metodes m\u016bsdienu vari\u0101cija. Zanda Pu\u010de izmantoja pa\u0161tais\u012btu ierakst\u012b\u0161anas ier\u012bci, lai dokument\u0113tu “zemes ska\u0146as”, ievietojot zondes zem\u0113 da\u017e\u0101d\u0101s Rojas apk\u0101rtnes viet\u0101s. \u0160\u012b ier\u012bce, kas galvenok\u0101rt nolasa elektromagn\u0113tiskos vi\u013c\u0146us, bija paredz\u0113ta, lai re\u0123istr\u0113tu re\u0123ion\u0101 emit\u0113to ska\u0146u diapazonu. Jo\u0161\u012b Sugito p\u0113t\u012bja viet\u0113jos m\u0101lus un materi\u0101lus, lai rad\u012btu dior\u0101mas, atsaucoties uz savu jap\u0101\u0146u izcelsmi un ar t\u0113jas ceremoniju un m\u016bsdienu kult\u016bru saist\u012bto klasicismu. Darbos k\u0101 dal\u012bbnieki tika iesaist\u012bti ar\u012b skat\u012bt\u0101ji, mudinot vi\u0146us iesaist\u012bties, lejot traukus ar \u0161\u0137idrumu p\u0101ri darbu virsm\u0101m. Gints Malderis apsekoja re\u0123iona iedz\u012bvot\u0101jus, uz\u0146emot portretus, kas att\u0113loti uz pas\u0113m\/personu apliec\u012bb\u0101m, un jaut\u0101jot katram cilv\u0113kam, k\u0101du “kr\u0101su” vi\u0146\u0161 uzskata par Rojas kvintesenci. P\u0113c tam, izmantojot virkni vari\u0101ciju, vi\u0146\u0161 t\u0101s salika liel\u0101 re\u017e\u0123\u012b, kas atg\u0101dina Marthas Stewart m\u0101jas dekoru kr\u0101su paraugus. Igau\u0146u duets Juhans Vihterpals un Kristins Oravs apvienoja savu interesi par performanci un m\u016bziku, radot lielu piram\u012bdu, kas piek\u0101rta uz troses (paredz\u0113ta sp\u0113l\u0113\u0161anai k\u0101 instruments). Abi uzst\u0101j\u0101s ar priek\u0161nesumu, kas bija atsauce uz cil\u0161u deju, un Oravs taj\u0101 iek\u013c\u0101va pa\u0161as izgatavotu keramikas elementu, mijiedarbojoties ar to, kam\u0113r Vihterpals bungoja uz vecas e\u013c\u013cas bungas, l\u012bdz vi\u0146a to atlaida, lai tas tiktu sadrag\u0101ts uz blakus eso\u0161\u0101 akmens. \u0160ogad k\u0101 dal\u012bbnieks ar\u012b piedal\u012bjos izst\u0101d\u0113, radot objektu, kur\u0101 p\u0113t\u012bju ciema iepriek\u0161\u0113j\u0101s fizisk\u0101s un psiholo\u0123isk\u0101s paliekas. Izliets kr\u0101tereskas formas betona negat\u012bvs, tas p\u0113c tam tika apgriezts un novietots tie\u0161i blakus ori\u0123in\u0101lam, lai iez\u012bm\u0113tu attiec\u012bbas starp indiv\u012bdu pret\u0113jiem viedok\u013ciem un uztveri, vienlaikus nor\u0101dot uz indeksu\u0101lo z\u012bmi.<\/p>\n

ROJA ART LAB<\/em>, kas gadu gait\u0101 ir piedal\u012bjusies daudzos \u0161\u0101dos pas\u0101kumos, ir unik\u0101la daudzos aspektos. Sabiedr\u012bbas iesaist\u012b\u0161an\u0101s, viet\u0113jo iedz\u012bvot\u0101ju paties\u0101 interese un r\u016bpes, vi\u0146u fizisk\u0101 un finansi\u0101l\u0101 l\u012bdzdal\u012bba, k\u0101 ar\u012b M\u0101ra ac\u012bmredzam\u0101 aizrau\u0161an\u0101s ar ciematu – tas viss pal\u012bdz veidot patiesi unik\u0101lu pas\u0101kumu. Es nekad neesmu sastapusi nevienu cilv\u0113ku, kas vair\u0101k lepojas ar to, kas vi\u0146\u0161 ir un no kurienes n\u0101k, un esmu p\u0101rliecin\u0101ta, ka bez M\u0101ra iesaist\u012b\u0161an\u0101s Roju var\u0113tu d\u0113v\u0113t tikai par vasaras t\u016brisma galam\u0113r\u0137i tiem, kas mekl\u0113 lauku, latvie\u0161u j\u016brniec\u012bbas kopienu. Vi\u0146a uztic\u012bba laikmet\u012bgajai m\u0101kslai un m\u0101ksliniekiem sniedzas t\u0101l\u0101k par vi\u0146a person\u012bgo programmu, un vi\u0146a ietekme \u0161aj\u0101 jom\u0101 ir izplat\u012bjusies ar\u012b cit\u0101s kult\u016bras programm\u0101s, kas kop\u0161 t\u0101 laika ir izveidotas. Vi\u0146\u0161 bija viens no \u0161obr\u012bd popul\u0101r\u0101 starptautisk\u0101 filmu festiv\u0101la RojaL<\/em> dibin\u0101t\u0101jiem. Vi\u0146\u0161 ir motiv\u0113jis ar\u012b citus veidot l\u012bdz\u012bgus pas\u0101kumus \u0161aj\u0101 jom\u0101, piem\u0113ram, jau otro gadu tiek organiz\u0113ts starptautisks arhitekt\u016bras simpozijs. Pateicoties M\u0101rim, tagad ciemat\u0101 valda visp\u0101r\u0113ja izpratne un atbalsts m\u0101kslai un m\u0101ksliniekiem. M\u0101kslas pasaule var tikai cer\u0113t, ka vair\u0101k cilv\u0113ku izr\u0101d\u012bs \u0161\u0101du ap\u0146\u0113m\u012bbu un ietekmi, sniedzot to, kam vajadz\u0113tu b\u016bt pieejamam ikvienam maz\u0101s kopien\u0101s vis\u0101 pasaul\u0113.<\/p>\n

 <\/p>\n

*The Merry Men<\/strong> ir bl\u0113\u017eu<\/a> grupa, kas ang\u013cu literat\u016br\u0101 un folklor\u0101 seko Robinam Hudam<\/a>.<\/p>\n

Raksts public\u0113ts m\u0101kslas \u017eurn\u0101l\u0101 “Studija” Nr.5 (110). 2016.<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Brian Benfer   \u0160is bija20. gads, kop\u0161 Roj\u0101, Latvij\u0101, M\u0101ris Grosbahs organiz\u0113 un vada pas\u0101kumu s\u0113riju. Lai gan pas\u0101kuma form\u0101ts un nosaukums gadu gait\u0101 ir nedaudz main\u012bjies, b\u016bt\u012bb\u0101 vi\u0146a ap\u0146em\u0161an\u0101s atbalst\u012bt pla\u0161\u0101ku m\u0101kslas kopienu un viet\u0113jo ciematu, kur\u0101 vi\u0146\u0161 ir uzaudzis, ir palikusi nemain\u012bga. Vi\u0146\u0161 to izveidoja galvenok\u0101rt k\u0101 l\u012bdzekli, ar kura pal\u012bdz\u012bbu vi\u0146\u0161 un […]<\/p>\n","protected":false},"author":1,"featured_media":960,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[],"class_list":["post-1280","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vesture"],"yoast_head":"\nM\u0101ris un jautrie v\u012bri*. - ROJA ART LAB<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/rojalab.lv\/lv\/maris-un-jautrie-viri\/\" \/>\n<meta property=\"og:locale\" content=\"lv_LV\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"M\u0101ris un jautrie v\u012bri*. - ROJA ART LAB\" \/>\n<meta property=\"og:description\" content=\"Brian Benfer   \u0160is bija20. gads, kop\u0161 Roj\u0101, Latvij\u0101, M\u0101ris Grosbahs organiz\u0113 un vada pas\u0101kumu s\u0113riju. Lai gan pas\u0101kuma form\u0101ts un nosaukums gadu gait\u0101 ir nedaudz main\u012bjies, b\u016bt\u012bb\u0101 vi\u0146a ap\u0146em\u0161an\u0101s atbalst\u012bt pla\u0161\u0101ku m\u0101kslas kopienu un viet\u0113jo ciematu, kur\u0101 vi\u0146\u0161 ir uzaudzis, ir palikusi nemain\u012bga. 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